", Yet there is a part of the baritone that can never go home again. But in this century, audiences have grown accustomed to hearing "Don Giovanni," which Mozart wrote for a baritone, sung by lower voices, from the legendary Cesare Siepi to today's talented Samuel Ramey -- men with the vocal heft to penetrate the recesses of the 3,800-seat Metropolitan Opera. The latter genre has had its share of critics. Finally, Hampson's collaboration with the Library of Congress then led him on a 12-city concert tour that extended through summer 2006. privacy and cookies. During the summers of 1978 and 1979, he studied under Gwendolyn Koldowsky and Martial Singher at the Music Academy of the West, where he won the Lotte Lehmann Award. In Founded in 2003 by American baritone Thomas Hampson, the Hampsong Foundation is a 501 (c) (3) non-profit organization which promotes intercultural dialogue and understanding through the art of classic songpoetry set to music. Born in Elkhart, Indiana, Hampson has two older sisters, with whom he sang in church as a child. Above all, he is a marketable package: he looks the part of the roles he is vocally suited to sing, be it Tchaikovsky's callous "Eugen Onegin" or Mozart's licentious Don. His U.S. recital debut occurred April 14, 1986 at The Town Hall in New York, where The New York Times praised him for "good looks, a commanding stage presence and, even within the confines of the recital format, an apparently vivid theatricality". Shortly after, he made his Metropolitan Opera debut on 9 October 1986 as the Count in Le nozze di Figaro. But now, in a makeshift dressing room where he must change costumes in three minutes between scenes, the swaggering Don is nowhere in sight. In addition to his performance schedule, much of Hampson's modern career has centered on music scholarship and education. In September, he sang the leading role in the world premiere of the Conrad Susa and Philip Littell's opera, The Dangerous Liaisons[22] and then in October recorded the 20 Lieder und Gesnge based on his and Dr. Renate Hilmar-Voit's research. Grfing Herberstein has three children from an earlier marriage. Hampson's 2012 engagements included role debuts as Iago in Verdi's Otello and the title role in Hindemith's Mathis der Maler, both at Zurich Opera, and his house debut as Verdi's Macbeth at the Metropolitan Opera. In 2008, Hampson appeared as Carlo in a revival of Verdi's Ernani at the Metropolitan Opera. Andrea Herberstein and Thomas Hampson attend MANHATTAN SCHOOL OF MUSIC Concert Gala 2010 Honoring MARILYN HORNE at Tribeca Rooftop on April 22, 2010. You are free: to share - to copy, distribute and transmit the work; to remix - to adapt the work; Under the following conditions: attribution - You must give appropriate credit, provide a link to the license, and indicate if changes were made. Hampson has a pliant, lyric baritone, velvety smooth in tone and caressingly expressive in its upper register. GitHub export from English Wikipedia. As such, in March 2010 he spearheaded the first-ever live streaming classical music available on a mobile app: a master class on Mahler songs, hosted by the Manhattan School of Music's Distance Learning Program. Millionen hochwertiger Bilder, Videos und Musiktracks warten auf Sie. In 1981, he began working as contract singer, first at the Dusseldorf Opera, then at the the Zurich Opera, gaining valuable experience and poise. During Hampson's childhood, she played the piano for a small, nearby light-opera company, but their house, Hampson says, was more likely to be filled with the sounds of Mantovani than Mozart. [6] He then continued his studies at the University of Southern California Thornton School of Music, where he worked with vocal coach Jack Metz and the baritone Horst Gnter, a lifelong mentor. In February 1996, President Bill Clinton extended Hampson's first invitation to sing at the White House during a state dinner honoring French President Jacques Chirac. Engagements during this time also included those with companies in Hamburg, Cologne, and Vienna, and his 1984 London recital debut at Wigmore Hall. Among other season highlights include concerts with the National Symphony Orchestra and Christoph Eschenbach, the Munich Philharmonic and Zubin Mehta, the Los Angeles Philharmonic and Gustavo Dudamel, the Pittsburgh Symphony and Manfred Honeck and the Israel Philharmonic and Zubin Mehta. Hampson, dressed in corduroy pants, a pullover and gold neck chain, is sitting on a sofa in the New York apartment he rented during the "Giovanni" performances at the Metropolitan. "Why are so many singers," he wonders, "so bloody incompetent at the expression of a language? "It's not very pleasant -- for me, anyway," he says with typical immodesty after the performance. He debuted in Un ballo in maschera and another performance at the 2005 Salzburg Festival, this time as Germont in La traviata. In 1981, he was one of the winners in the Metropolitan Opera National Council Auditions national finals. "I feel dizzy," protests Hampson, who was forced to cancel the previous performance because of a throat infection. Juni 1955 in Elkhart, Indiana) ist ein US-amerikanischer Opernsnger Leben. Starting in September of that year, Hampson became the New York Philharmonic's first Artist-in-Residence. The tenor Jerry Hadley, who also starred in that production, believes that he and Hampson "were in a sense born as artists" at that point. In July, he opened the Mostly Mozart Festival in a telecast Live from Lincoln Center, and then in August he performed at the Salzburg Festival with a solo recital of Barber and Mahler. In April he performed with soprano Rene Fleming at the White House for a gala. [38] That year, he also reprised his roles in Tannhuser[39] and Don Giovanni,[40] and sang an arrangement of the poem Dover Beach with the Emerson String Quartet. On this Wikipedia the language links are at the top of the page across from the article title. (He lives in Vienna with his wife, Andrea Herberstein, and three step-children, but still spends a lot of time touring the United States.) Thomas Hampson was born on 28 June, 1955 in Elkhart, Indiana. Click on a date/time to view the file as it appeared at that time. "Get up," prods his dresser, Bill Malloy, as he pulls off the singer's knee-high boots and hands him a clean shirt. If the baritone's career in the United States has not yet reached the same level of intensity as it has in Austria -- where a fan at the Salzburg Festival asked him to autograph the back of her sweater -- it is clearly gathering steam. In 2007, he was instated as a member of the board of the Manhattan School of Music where he is also part of the Artistic Advisory Board, positions which allow him to frequently teach master classes for the school's Distance Learning Program that are streamed live to Internet and smart phone users worldwide. In 1980, as a consequence of winning the San Francisco Opera audition, he competed in the Merola Opera Program,[7] in which he met Elisabeth Schwarzkopf. Late in the year, Hampson found himself engaged at the Vienna State Opera once more, this time debuting the title role of Rossini's Guillaume Tell. . Finally, in December, he made his first stage appearance in the role of Athanael in Thas at the Lyric Opera of Chicago. [5] He grew up in Spokane, Washington, where he enrolled at Eastern Washington State College (now Eastern Washington University) in Cheney, majoring in political science/government. 815 following. Instead, you're turned willy-nilly into a hysterical mess." In March, he made his role dbut as Scarpia in Puccini's Tosca at the Zrich Opera. He also appeared in Tannhuser once more, directed by Otto Schenk and conducted by Mark Elder. Anyone can read what you share. [17] 1993 also saw the beginning of Hampson's institutional involvement in the classical world, when he gave a series of master classes at the Tanglewood Festival in Lenox, Massachusetts. In 1991, Hampson opened the New York Philharmonic season in a Live from Lincoln Center telecast, singing Aaron Copland's Old American Songs in a performance conducted by Kurt Masur. Shortly after, he made his Metropolitan Opera debut on October 9, 1986 as the Count in Le nozze di Figaro. Want this question answered? Though divorced from his first wife in 1976 (they were both The tall, robustly handsome baritone has just left the stage of the Metropolitan Opera, where he has sung the buoyant Champagne Aria in the first act of Mozart's "Don Giovanni" with breathtaking agility and cynical charm. But I don't hire on 'blind' to new projects. In 1981, he was one of the winners in the Metropolitan Opera National Council Auditions national finals. This is a digitized version of an article from The Timess print archive, before the start of online publication in 1996. Heather Ann Thompson is an American historian, author, activist, professor, and speaker from Detroit, Michigan. appealed to a higher Austrian court in February of 2011, and the In 1991, Hampson opened the New York Philharmonic season in a Live from Lincoln Center telecast, singing Aaron Copland's Old American Songs in a performance conducted by Kurt Masur. He also sang in the 25th Anniversary Gala of the Metropolitan Opera, which was recorded live for video/CDV. 2023 Getty Images. Since 1988, he has made nearly 20 albums ranging from opera and lieder to "classical crossover." Learning new roles is something Hampson does very selectively. [12] The New York Times praised the recording, saying that "the performances have a luminous beauty and cast a storyteller's spell. Later that month he was named Male Singer of the Year by the International Classical Music Awards. That's all the more reason why each performance has to feel like an event, both for Tom and the public. But soon his speech grows more natural, the "as it weres" giving way to four-letter words and that ubiquitous American expression, "you know," which he invariably utters as a question. If he does not yet have the ability to totally inhabit a character with the intense emotional empathy of, say, the soprano Teresa Stratas, he is nonetheless an intelligent actor who moves confidently and naturally on stage. Who were the models in Van Halen's finish what you started video? The piano used for the recording had belonged to Mahler himself. [32], In early 2000, Hampson returned to his fascination with Gustav Mahler, performing a Mahler-centric recital at Carnegie Hall in February. He can walk into a party, demand attention, and everyone falls in love with him.". Yes. In 2009, as part of the Metropolitan Opera's 125th Anniversary celebration, Hampson sang the last scene of Parsifal with tenor Plcido Domingo. [53] Both performances were broadcast worldwide. In 1980, as a consequence of winning the San Francisco Opera audition, he competed in the Merola Opera Program, in which he met Elisabeth Schwarzkopf. Other important appearances of Hampson's in 1996 include a series of master classes at the Mozarteum University of Salzburg, and two productions of Don Carlos in the original French (directed by Luc Bondy), one in Paris and one in London. In and Out: Bolle, Gomes, Stiefel how easy is it to be an openly gay ballet dancer? That summer, he left for Europe, where he made the rounds auditioning for opera houses. As such, in March 2010 he spearheaded the first-ever live streaming classical music available on a mobile app: a master class on Mahler songs, hosted by the Manhattan School of Music's Distance Learning Program. Choir singing was an important part of his education, but Hampson also tried his hand at the tuba and, with less success, the piano. 2013 CONSERVATORY GALA Honoring THOMAS HAMPSON April 20th, 2013. Thomas Hampson remarried to Frau Grfing Andrea Herberstein (born November of 2008, Frau Grfing Herberstein was convicted of fraud, Contribute to chinapedia/wikipedia.en development by creating an account on GitHub. [29] In October he dbuted yet another role: Antonio in Donizetti's rarely performed Linda di Chamounix at the Vienna State Opera. [46] The year's performances included the title role in Verdi's Macbeth,[47] the title role in Doktor Faust once more[48] and Mandryka in a new production of Arabella. The year included many notable performances, including: the Rossini 200th birthday gala at Avery Fisher Hall, the title hero in Billy Budd at the Met, the Count in Le nozze di Figaro at Florence's Maggio Musicale under the baton of Zubin Mehta, Brahms' A German Requiem under Daniel Barenboim at the Chicago Symphony Orchestra, and two performances of Schumann's Dichterliebe: one in Geneva and the other in his first recital at Carnegie Hall. 1993 also saw the beginning of Hampson's institutional involvement in the classical world, when he gave a series of master classes at the Tanglewood Festival in Lenox, Massachusetts. [18] He was also awarded an honorary doctorate of music in his hometown of Spokane, Washington from Whitworth College that same year,[19] and took a large role in the publication of a new critical edition of Mahler songs, alongside which he released a recording in collaboration with Geoffrey Parsons. "In some ways," says the soprano Karen Beardsley, who grew up in Spokane and who was close friends with Hampson during her teens, "Tom is Giovanni. Part of the reason is the sheer visceral excitement of the tenor voice -- a novel sound, compared with the normal male speaking voice, and one fraught with risk, since it encompasses more forays over the treacherous "break" between vocal registers than a baritone. Also in 2010, Hampson was elected into the American Academy of Arts and Sciences. That year, he performed in the composer John Adams's 19-minute musical monologue, The Wound-Dresser. 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In July, he made yet another role debut: Wolfram in Wagner's Tannhuser, a role that would later win him the 2002 Grammy Award for Best Opera Recording. Hampson began 1998 with the world premiere of Richard Danielpour's Elegies in Jacksonville, Florida and later reprised the role at Carnegie Hall. Yet he manages, through penetrating gaze and posture, to suggest the overwhelming emotions warring within. During those formative years, he worked for the first time with the stage director Jean-Pierre Ponnelle, who died in 1988, and the conductor Nikolaus Harnoncourt. I spent many years in mothballs.". [28] He also made his first appearance as Riccardo in Bellini's I puritani at the Metropolitan Opera, his performance being hailed as "the most serious bel canto effort" by the Metropolitan Opera Guild. In January 1994, Hampson made his debut with the Houston Symphony Orchestra, singing Mahler and Copland, and conducted by Christoph Eschenbach. In February 2001, he sang Amfortas in Wagner's Parsifal at the Paris Opera and the Royal Opera House in London, took a four-month recital tour across Europe and the U.S., performing under the baton of Vladimir Jurowski and Franz Welser-Mst. Profitieren Sie von der globalen Reichweite, datengesttzten Erkenntnissen und einem Netzwerk von ber 340.000 Content-Anbietern von Getty Images, die exklusiv fr Ihre Marke Inhalte erstellen. His net worth has been growing significantly in 2021-2022. When Hampson sang the quintessentially lyric baritone role of Valentin in Gounod's "Faust" at the Metropolitan in 1990, several critics found him a trifle "light-voiced. In April 1997, he made his first performance as Eugene Onegin in Tchaikovsky's opera of the same name at the Vienna State Opera, and in May he reunited with Nikolaus Harnoncourt for a rare production of Schubert's Alfonso und Estrella at Theater an der Wien in Vienna. "And I'm opinionated and articulate, so I'll keep going until someone finally sticks a knife in my back. In 1984, he began an engagement at the Opernhaus Zrich as a principal lyric baritone, among others participating in the legendary Harnoncourt-Ponnelle Mozart cycle, including all of the Da Ponte operas and the title role of the famed 1987 production of Don Giovanni. SWEAT TRICKLES DOWN Thomas Hampson's face as he wriggles out of his striped leather doublet and collapses into a folding chair. [51] He also took once more to the role of Athanael in Massenet's Thas, again opposite Rene Fleming[52] and sang at the opening nights of both the Metropolitan Opera and Carnegie Hall. Hampson also cemented his role as an American musical fixture, first by serving as Artistic Director, Creative Consultant, and Performer on the PBS production "Thomas Hampson: I Hear America Singing,"[27] and next by winning EMI's Artist of the Year Award. That year also saw the debut of the Song of America radio series, co-produced by the Hampsong Foundation and the WFMT Radio Network of Chicago. Hampson's 2012 engagements included role debuts as Iago in Verdi's Otello and the title role in Hindemith's Mathis der Maler, both at Zurich Opera, and his house debut as Verdi's Macbeth at the Metropolitan Opera. In early 2000, Hampson returned to his fascination with Gustav Mahler, performing a Mahler-centric recital at Carnegie Hall in February. The performance was subsequently recorded for EMI/Angel. Boards are the best place to save images and video clips. Baritone Thomas Hampson, whom Bernstein mentored. In March, he made his role dbut as Scarpia in Tosca at the Zrich Opera. Access the best of Getty Images with our simple subscription plan. where he lives with no less than the Countess Andrea Herberstein. He had begun appearing professionally with the Spokane Symphony and other Washington-based organizations. In November, Hampson launched www.songofamerica.net, an interactive database that details the culture and history of American Song and re-embarked on his "Song of America" tour, holding 13 recitals between July 2009 and February 2010. Through the Hampsong Foundation, which he founded in 2003, he employs the art of song to promote intercultural dialogue and understanding Wiki User. (Photo by SHAUN MADER/Patrick McMullan via Getty Images), 6340757583564612502232847_35_ahampsonthomahampson_042210.jpg, 2400 x 3600 px (8.00 x 12.00 in) - 300 dpi - 1 MB. Such antics strike some observers as a bit heavy-handed for someone who was, after all, virtually unknown in America a few years ago. "You have to be careful not to psychoanalyze Bugs Bunny," he contends. In 1990, Hampson released his first solo recital album on Teldec titled Des Knaben Wunderhorn, in collaboration with Geoffrey Parsons. In 2006, in a collaboration between the Heidelberger Frhling Festival and the Hampsong Foundation, the 200th anniversary of the printing of Des Knaben Wunderhorn was celebrated in concerts, symposium, and master classes. [21] In July, he opened the Mostly Mozart Festival in a telecast Live from Lincoln Center, and then in August he performed at the Salzburg Festival with a solo recital of Barber and Mahler. . Files are available under licenses specified on their description page. Organisieren, kontrollieren, verteilen und messen Sie alle Ihre digitalen Inhalte. I admire that. In 1990, Hampson released his first solo recital album on Teldec titled Des Knaben Wunderhorn, in collaboration with Geoffrey Parsons. In February, he performed in the world premiere of Michael Daugherty's Letters From Lincoln with the Spokane Symphony and then as the title role in Eugene Onegin at the Met. Die beiden sind miteinander verheiratet. . Finally, in December, he made his first stage appearance in the role of Athanael in Thas at the Lyric Opera of Chicago. In 1992, he was named the Musical America's Singer of the Year, alongside John Corigliano, Robert Shaw, Christoph von Dohnnyi, and Yo-Yo Ma. Unlike many of today's aspiring American singers, who work their way up the regional opera circuit here, Hampson followed the more traditional route of becoming a "house" singer in secondary European companies. And part of it reflects the unfortunate tendency of composers to cast baritones as the bad guys (Iago in Verdi's "Otello" is the most famous example) or as solid, supporting characters: the soprano's spurned suitor or the tenor's best friend. "[4], Born in Elkhart, Indiana, Hampson has two older sisters, with whom he sang in church as a child. In 2007, Hampson returned to Simon Boccanegra at the Met. Would love your thoughts, please comment. "I have a loud mouth," he acknowledges. [2], Hampson's diverse and expansive discography has earned him an Edison Award for Lifetime Achievement, four Edison Awards, four Echo prizes, numerous VEB Deutsche Schallplatten, Gramophone Awards, and Grand Prix du Disque, as well as six Grammy Award nominations, and one Grammy Award. Mnchen (ots) - Star-Bariton Thomas Hampson (55) hat heimlich geheiratet. Official profile of the American baritone Thomas Hampson. With acquaintances, he is engagingly open and loquacious, yet frequently self-absorbed. She received her medical degree from University of Michigan Medical School and has been in practice 2 years. I am truly, forgive me, God, jealous of people who are so musically able. He also took once more to the role of Athanael in Massenet's Thas, again opposite Rene Fleming and sang at the opening nights of both the Metropolitan Opera and Carnegie Hall. Next season is a busy one for Hampson, starting with his appearance at the New York Philharmonic's opening night concert, which will be televised on "Live From Lincoln Center." Opera singer Thomas Hampson and his wife Andrea Herberstein, Alexa Wesner and her husband Blaine Wesner attend the Life Ball 2014 after show party at. exclaims the baritone, obviously touchy on the subject. (Photo by Gisela Schober/Getty Images). Dr. Andrea Thompson is a cardiologist in Ann Arbor, MI and is affiliated with Michigan Medicine. The center of his Verdi repertoire remains Posa in Don Carlo, Germont in La traviata, the title roles in Macbeth and Simon Boccanegra, and more recently also Amfortas in Wagner's Parsifal and Scarpia in Puccini's Tosca. [14] In November, he made his San Francisco Opera debut, performing the title role in Monteverdi's Il ritorno d'Ulisse in patria and role debut as Don Giovanni at the Metropolitan Opera. Frau "The Metropolitan's 'Faust' set should be burned to the ground -- there's not one resonating surface on it. An important future date will be his La Scala debut as Ford in "Falstaff" in 1993. He received an Honorary Doctor of Music degree from New England Conservatory in 2015, the same year that he premiered a new work by Pulitzer Prize-winning composer Jennifer Higdon at Carnegie Hall. 0 (0 ratings) Leave a review. Thomas Walter Hampson (born June 28, 1955) is an American lyric baritone, a classical singer who has appeared world-wide in major opera houses and concert halls and made over 170 musical recordings. [43] That year, he also launched his website, www.thomashampson.com. In May, he performed with the San Francisco Symphony at Carnegie Hall, to great praise. . ", He soon began studies in music at Fort Wright College in Spokane with Sister Marietta Coyle, a Catholic nun and respected vocal instructor in the area. This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. Learn How rich is He in this year and how He spends money? Finally, Hampson's collaboration with the Library of Congress then led him on a 12-city concert tour that extended through summer 2006.[44]. He has one daughter, Meghan, from his first marriage, which ended in divorce in 1986. Like other colleagues, she finds him "great fun" to work with, yet exacting in the high standards of preparation he expects of himself and his collaborators. It has a spectacular view of the bay, and as the sun turns pink and turquoise over Golden Gate Bridge, he muses on his approach to characterization. As a subscriber, you have 10 gift articles to give each month. "[13] In February and March of the same year, Hampson continued his partnership with Bernstein, first in a widely appreciated performance of Mahler's Rckert-Lieder and Lieder eines fahrenden Gesellen, and then for his Carnegie Hall debut, performing Mahler's two cycles with the Vienna Philharmonic (Bernstein's last public performances in the venue). IT IS THE OPENING NIGHT OF Monteverdi's "Return of Ulysses to His Homeland" at the San Francisco Opera. That same year, he was inducted into the Gramophone Hall of Fame. His U.S. recital debut occurred 14 April 1986 at The Town Hall in New York, where The New York Times praised him for "good looks, a commanding stage presence and, even within the confines of the recital format, an apparently vivid theatricality". What are the answers to studies weekly week 26 social studies? Countess Andrea Herberstein, in a dress she designed herself and sewn by Viennese seamstress Marlene Luppi, attends the Diamond Soiree Gala, as part. Now both divorced, they maintain a home in Vienna with Herberstein's three children; Hampson's 9-year-old daughter lives with his former wife in Washington state. "When you're hired for a title role," the 35-year-old singer says later, "you feel you should ride in on your white horse, change your spurs and" -- here, he switches to his best John Wayne imitation -- "do what you were brought in to do. The couple moved to Los Angeles, where Hampson won a few competitions and was subsequently invited to join the San Francisco Opera's Merola program for young artists in 1980. The couple met in 1986, when Herberstein was general manager of the Styriarte Summer Festival in Austria and Hampson was scheduled to sing a Purcell work with the conductor Nikolaus Harnoncourt.
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